There is a knife that knows your name

June 2025

A collection of informal and totally serious book reviews, mainly horror. Highlight white text for spoilers. Updated probably once a week.
I Gave You Eyes and You Looked Toward Darkness
Irene Sola
suspense
run one sentence city

info

themes:   ????  
????  
????
type:   novel  
single author  
race/nationality: white spanish woman

Content Warnings
Major: animal death, hunting, kidnapping, rape [incomplete CWs]
Medium:
Minor:

Summary

Nestled among rugged mountains, in a remote part of Catalonia frequented by wolf hunters, bandits, deserters, ghosts, beasts and demons, sits the old farmhouse called Mas Clavell. Inside, an impossibly old woman lies on her deathbed while family and caretakers drift in and out. All the women who have ever lived and died in that house are waiting for her to join them. They are preparing to throw her a party. As day turns to night, four hundred years' worth of memories unspool, and the house reverberates with the women's stories. Stories of mysterious visions, of those born without eyelashes and tongues or with deformed hearts. But it begins with the story of the matriarch Joana who double-crosses the devil, heedless of what the consequences might be. I Gave You Eyes and You Looked Toward Darkness is a formally daring and entrancing novel in which Irene Sola explores the duality and essential link between light and darkness, life and death, oblivion and memory.

Review

it's just misogyny the novel which is wildly boring. This feels like one of those fragile women women stewing in their own martyrdom over their self declared inability to stop their own victimization and it's like. Embrace intersectional feminism. There is strength in union. But oh right, you wouldn't get the same gratifying circle jerking kudos in your sad pathetic identity. Also demanding and fighting for equality is fucking exhausting but still. We won't get anywhere if you have the spine of a noble jellyfish!!! Oh and cool prose but the run-on sentence are exhausting. I'm sure this is a great novel but I just don't care.

▪ They sang, exhilarated because the darkness had swallowed them up, as it swallows up all things, and then it had spat them out, as it is obliged to spit out all things that awaken stiff and damp. And now they trilled, relieved to reawaken because in the midst of the long night they’d doubted that day would ever come. And they welcomed in the morning, even though it was a glum morn.
I like how night time is described. Yeah the author is skilled at depictions but I kinda don't care what the goats are doing. I want to know more about this deal with the devil!!!!

To Offer Her Pleasure
Ali Seay
horror
occult horror
#boymoms are the fucking Worse

info

themes:   small town horror  
coming of age 
type:   novella  
single author  
race/nationality: white american woman

Content Warnings
Major: incest, pedophilia, csa, drug use, drugs smoking cannabis, solitary confinement, sexual content, violence, murder,, torture, confinement, child abuse, animal death, amputation, injuries, hand trauma, grief, parent death, abandonment,
Medium:
Minor: homophobic f slur, antiblack racism,

Summary

After the death of his father and his mother taking off, it becomes clear to Ben that the only thing he can count on, is no one to count on.

Until he finds the book. One that calls forth a shadowy horned figure. She comes with unexpected gifts and the comfort of a dependable presence. And she asks for very little in return, really. The more Ben offers her, the easier it gets.

Sometimes, family requires more than a little sacrifice

Review

Surprisingly good? I wasn't expecting much. A coming of age story featuring teen angst? No thanks. Been there, done that. But alright, the mythos was fairly interesting. And the impulsion was pretty reasonable.
The MC's father recently passed away from cancer. The mother turns to alcoholism and a new, not that kinda boyfriend. He has no other family, no social support that he considers welcoming. Yes, there's adults around him that do check in, but he rejects that for understandable but foolish reasons. He's been abandoned, and now only trusts himself to care for him. There is a depth to his character. Maybe not so much to others. Though granted, it's a novella, and there's not much room for other characters to expand in. Steve is a slightly overweight boy who has hit puberty and thus is gross about women. Alice is a DnD playing Black girl and the love interest.
I think it's a testament to the writing that it makes me wonder what would have happened in the Cursed Book fell into someone else's hands. Would Steve rule the village as a horny little tyrant? Would Alice be at all inclined towards violence, or would she experience a different kind of torment from the Cursed Book? No joke, but the book might be [HORROR STING] cishet and inclined towards grooming only boys?!
The descent into madness is an even one. Step by step, driven by quiet desperation, the MC goes along with the flow. Make his new mother happy at all costs. I appreciate the subtlety the author has. Yes, obviously it's occult horror and there's sacrifices to be made, human and animal alike. But it's not just human sacrifices. The MC is offering far more than he knows he is, and readers in an outside perspective can see the red flags a mile away.
It's a coming of age story, and also a tragedy. We'll never see when it goes wrong. But we've seen where it started to go wrong.

The No-End House
Jeremy Bates
horror
publishers stfu with 'like X meets Y' type shit.

info

themes:   supernatural  
purgatories  
haunted houses adjacent
type:   novel  
single author  
race/nationality: white canadian man

Content Warnings
Major: insects, nazism, incest, medical content, medical abuse,, kidnapping, child abuse, physical abuse confinement, infidelity, ableist language, nazism,
Medium: fatphobia, sexual content, pedophilia, csa,
Minor:

Summary

Two strangers unwittingly volunteer for the ultimate haunted house challenge in Barcelona’s Gothic Quarter

Nine rooms. Nine tests. One chance to get out alive. No one makes it to the end of The No-End House.

Bestselling author Jeremy Bates invites you to spend the night in The No-End House. Where the nightmares begin as soon as you enter—and the terror never ends . . .

It’s the ultimate haunted house challenge. A crumbling stone mansion nestled in the Gothic Quarter of Barcelona, it may be the best-kept secret in Europe—a little-known attraction featuring nine escape rooms to explore, nine puzzles to solve, and a large cash prize for anyone who makes it to the end. There’s just one catch: no one makes it to the end of The No-End House. . . .

When Joe Hadfield hears about the house from a pair of backpackers, he’s intrigued but not interested. He’s trying to escape a nightmare of his own: the trauma of witnessing his wife’s grisly death. Traveling the world to ease his pain and grief, he meets a beautiful stranger named Helen who convinces him to try The No-End House challenge together. Joe reluctantly agrees. But as soon as they enter its walls, meet its mysterious host—and sign an ominous contract—Joe begins to understand the seductive power of The No-End House . . .

It knows his darkest secrets. It feeds his greatest fears. It makes him do things he would never do. And there is no end to what he will do . . . to make it out alive.

Review

For unexplainable reasons, the summary has the blurb of 'like Hostel meets the supernatural flavor stephen king novels!' or something like that. I'm paraphrasing there.
PUBLISHERS. STOP DOING THIS.
Because when it turns out you're completely wrong, the expectations and subsequence enjoyment of the novel is ruined. Not to mention I have less kind thoughts towards the author and I'm less inclined to read any more works from them in case there's another bait and switch to waste my time.
This is not Hostel. This is BARELY Stephen King.
I personally don't like splatterpunk. I can handle it and even seek it out sometimes, regardless of seeing content warnings. I've barely watched Hostel because tortureporn isn't really my thing. It's usualyl shorthand for femicide or sexual abuse [usually of women and femmes]. I've seen Evil Dead with all its fake blood torrenting and that's the level of gore I enjoy. So when I hear a book is like Hostel, the movie about torturing tourists to death in explicit, brutal manners, I assume splatterpunk. This book is not splatterpunk. This book does contain some gore but it's like romance in movies filmed during the Hayes code. Implied or 'fade to black' before anything seriously violent happens.
Again, I don't like splatterpunk, but you CANNOT tell me it's going to be splatterpunk-esque and not deliver on gore, violence, and torture.
As for the supernatural like Stephen King novels: no. Nah. Nawpe. Not really, no. Yes there is explicitly supernatural shenanigans, but nothing strikes me as, uh. Kingean? Stephenkingesque? Whatever literary scholars say. Frankly, this is a generic purgatory plot. Not even Dante inspired, just plain old purgatory.
Like the summary says, there's nine escape rooms. They are tailored to the contestants. There's a not quite plot twist where the escape rooms involve past traumas aka 'his darkest secrets... his greatest fears.'. [Fake Edit: maybe the Hostel part isn't the torture, but the way that no morals or lessons are learned from surviving the escape rooms. You just get more traumatized. Hashtags: Wow whoa deep TIL studyblr follow4follow ]
The plot also feels a little hand hold-y. Most of the 'puzzles' are reasoned outloud, rather than shown through investigation. The characters repeatedly remind themselves [and us] that the solution is about numbers and doors. Hell, some / most solutions are serendipitous, which defeats the point of it being a challenge to survive.
The escape rooms are laughable. Generic riddles, puzles rejected from the most mediocre variety shows of 1960 britain.
And by the way, the auxiliary main character and love interest is a Black woman. No spoilers, but you can guess what happens.
Actually let me bitch about that too. Yes the MC is a sad white boy mourning the death of his wife. [Who unfortunately died in an incredibly funny, animanics but edgy, bizarre ass manner] But her trauma is far worse than his. She's a survivor of incestuous csa and long term child abuse [murdered mother, kidnapped and imprisoned by her father who was a serial pedo rapist.] She half feels like a diversity checklist publisher's have so authors can meet marketing checkpoints. Jewish [whose grandparents were Holocaust survivors, nonetheless!]. Black. Survivor of child abuse. Love Interest. Funny sidekick. Sassy!Phew. Check, check, check!
Oh, by the way, yes! One of her escape rooms does involve a actual, literal nazi, who is inexplicably a little person. [Who is repeatedly called a midget? Do we still say that word in 2025?] Idk man, you can write whatever you want [and I will read whatever I want] but including nazis without some sort of basis beyond shock factor feels like a crutch for writing well. Writing good. Writing that can stand on its own without the need for having a dimunitive nazi trying to hunt down a Black Jewish woman. Bates is a hack writer, and not even a good one, at that. SMH.
The prose is tell and not show most of the time. I almost read a previous novel from this author: The Sleep Experiment. Yeah, remember that creepypasta from the early 00s about the Russian Sleep Experiment? It's goofy, these days, but in retrospect it had a lot going for it. Simple prose that's easily read by an audience of varied reading levels. Brevity, if not acceptable editing for length and legibility. The interesting use of concepts like otherworlds, supernatural entities, abuse of power, and conspiracy theory levels of strange experiments. The decent use of tension and suspense, culminating in a pretty good cliff hanger / plot twist.
I don't know if The Sleep Experiment has any of that. The prose was so bad and the concept so poorly executed that I couldn't get past 4 chapters. I don't know or care to see if this author has written other books since then. But I can see that he has improved somewhat. The book was ok. It was coherent. The writing is legible. The concept not well done and is a basic retread of the purgatory concept.
Call this a beach read except don't. Don't read it at the beach. Don't read it anywhere. There are better trashy fun books to read. Ones that are even honest about their trashiness.

Grief Rituals
Sam Richard
horror
sad white boy shit

info

themes:   supernatural  
paranormal  
horror as a metaphor for grief
type:   single author short story anthology  
single author  
race/nationality: white american man

Content Warnings
Major: amputation, animal death, blood, body horror, car crashes, child abuse, death, excrement, gore, grief, gun violence, guns, injuries, mass death, medical content, murder, parent death, racism, rats, self harm, sexual assault, sexual content, sexual harassment, suicide, suicide ideation, unsanitary, violence
Medium: alcohol abuse, biphobia, car crashes, parent death, foot trauma, incels, misogyny,
Minor: lesbophobic d slur, nooses, slut shaming,

Summary

From Wonderland Award-Winning author Sam Richard comes twelve more uncomfortable tales of sorrow, ruination, and transformation.

A young widow joins a spousal loss support group with bizarre methods of healing. An aging punk is stalked by something ancient and familiar in the labyrinthian halls of an art complex. A couple renting out a small movie theater are interrupted by a corrosive force of nature. Through these stories of weird horror and visceral sorrow, Richard shows us ways grief can be transcendent-but only if we know which rituals to practice.

TOC

Taken by the Mountains

Reborn of Ash


Shopping Maul


The Fruit of a Barren Tree


May She Eat of You, Endlessly


We Are Eternal


Death Reflects Us


We Have Always Lived in the Jiffy-Lube


Black Teeth


Where Carrion Crawls


Strømtatt


Blood & Honor

Review

Knowing the authors wife passed away and this is kinda a reaction to that and his grief makes me feel slightly like a dick for reviewing it like this. But that said: hey the theme is very much grief over spousal death and that is very consistent in 90 percent of the stories. Some may find it a little repetitive. I did. The variety of interpretations, topics, and concepts did relieve that a little. Except for the very end where the stories were less about spousal death and more of grief in general. Except for the very last which was some weird ass performative white guilt about racism / hate criming? I... girl what. Typical white nonsense.
Nonetheless, the dude can write. Not just write a coherent story, but one with depth and consideration. He put thought into his characters and the actions they'd take. They feel genuine in their own ways, and not just copies or continuations of characters in previous stories. I'd certainly read more from this author.

◆ Taken by the Mountains
Major gore, mass death, murder, grief,gun violence, body horror,, injuries, blood, suicide,
Medium alcohol abuse, foot trauma,
Minor nooses,
◆ Reborn of Ash
Major grief, suicide, parent death,, body horror, gore, medical content, sexual content,
◆ Shopping Maul
Major violence,
Medium incels, misogyny,
◆ The Fruit of a Barren Tree
Major suicide ideation, suicide, guns,, death, body horror,
◆ May She Eat of You, Endlessly
Major body horror,
◆ We Are Eternal
Major parent death, car crashes, unsanitary,
◆ Where Carrion Crawls
Major sexual harassment, sexual assault, gore, excrement, unsanitary, animal death, rats, body horror, suicide,
◆ Strømtatt
Major body horror,

◆ Blood & Honor
Major child abuse, hate crimes, murder, gun violence,, racism, self harm, amputation,, unsanitary,
Medium biphobia, car crashes, parent death,
Minor lesbophobic d slur, slut shaming,

Crevasse
Clay Vermulm
horror
mountain horror
The Thing 1980s remake but not a rip off and very good. Wow. It's not a dog btw.

info

themes:   supernatural  
mountain horror  
location horror
type:   novella [Book 1 of Voices from the Cold series]  
single author  
race/nationality: white american man

Content Warnings
Major: heights, head trauma, injuries, gore, animal death, body horror, violence, animal attacks, gore,
Medium: drowning, death, vomit,
Minor: stalking,

Summary

Five hundred feet above safety and 1,000 feet below it, can climbers Greg and Quinn survive a harrowing supernatural encounter long enough for help to arrive, or will they become two more mysterious disappearances on the high mountain peaks of Washington State?

Review

I give props to the author for showing the monster straight off the bat. I gasped when I realized what was going on. Jesus christ someone make a horror film about this. Short horror film, which imo would work better though I am no fancy film director. Helluva way to hit the ground running. Plus there was still room for escalation. Animal to impersonal human to intimately known humans. And finally, the heroine who coulda woulda shoulda saved the day like she did so many times before. But it's very inline with mountaineering. You could do everything right, have all the correct gear and the know how. But if nature decides to avalanche over your camp, send a bear from a freshly exited hibernation across your path, you're just fucked. And you just have to find a way to survive despite all odds.
I'm reminded of another horror novella about climbing a mountain and the vast difference between that and this one. This novella feels like a mountain climber wrote it. It's clearly knowledgeable and that alone makes it worthwhile to read. It adds its own character, a depth to the world that can be found lacking in other novels with similar settings.
I thought the rotating POV was executed well. It kept things fresh and at a good pace. It felt like a whirlpool, really, all these elements circling each other closer and closer until there's just no escaping the inevitable. It was a very subtle kind of dread and I think the author pulled it off.
I did enjoy that there's a fair amount of women characters, who had some pretty decent characterization. It felt like this author actually understood women beyond being literary tropes. Wow.
Final chapter kinda... Unneeded imo. I don't think it needed or warranted an explanation of the 'monster'. To me it detracted. Horror is about balance, and revealing a little too much can diminish the mystery.
Why did Person go on a spree killing? Well who knows, the mundane evil is so terrible and shocking!
*several sequels / prequels / side-quels later*
Ok so the ghost of a alleged witch's daughter who fell in love with the small town preacher's daughter and were run out of town who then tragically died by a train running into them while they were crossing the tracks to FREEDOM so the wrecked train was scrapped, melted down, and turned into a model train which was bought by the Person who did the spree killing in the first movie which is why the Person went mad in the first place: the ghost girl possessed the person to get revenge on the descendent of the person who f
irst accused her of consorting with the preacher's daughter.
See what I mean? Granted it's not on the same level, much less star wars level of over explaining shit. But imo, it's a hard skill to learn when to stop and put down your art. I can't blame artists either, for wanting to go 'THIS is how I wanted it to be interpreted' because a lot of people simple Do Not Get It. Myself included, of course.
Boy I sure rambled on. Anyways. I really loved this. Excellent supernatural mountain based horror novella. Well executed, good paced, very good editing. I'd read more from this author.
Small Note: going by the book cover, this appears to be a series? I'm not sure if it's interconnected or simply linked by locale or theme? Just to note. This felt like a solidly concluded novella, no sequel bait or implications that other characters or locales would show up again in other stories. I think it can be read as a standalone.

Ecstasy
Ivy Pochoda
fantasy
myths
someone who's more horny for greek myths would like thi sbetter than me.

info

themes:   supernatural  
myths  
feminist horror
contemporary
suspense
type:   novella  
single author  
race/nationality: white american woman

Content Warnings
Major: arson, drug abuse, misogyny, sexual assault, violence
Medium: anti rromani g slur, child abuse, confinement, marital rape, prison rape, sexual abuse
Minor:

Summary

A deliciously dark horror reimagining of a Greek tragedy, by Ivy Pochoda, winner of the LA Times Book Prize. Lena wants her life back. Her wealthy, controlling, humorless husband has just died, and now she contends with her controlling, humorless son, Drew. Lena lands in Naxos with her best friend in tow for the unveiling of her son's, pet project--the luxurious Agape Villas. Years of marriage amongst the wealthy elite has whittled Lena's spirit into rope and sinew, smothered by tasteful cocktail dresses and unending small talk. On Naxos she yearns to rediscover her true nature, remember the exuberant dancer and party girl she once was, but Drew tightens his grip, keeping her cloistered inside the hotel, demanding that she fall in line. Lena is intrigued by a group of women living in tents on the beach in front of the Agape. She can feel their drums at night, hear their seductive leader calling her to dance. Soon she'll find that an ancient God stirs on the beach, awakening dark desires of women across the island. The only questions left will be whether Lena will join them, and what it will cost her. Ecstasy is a riveting, darkly poetic, one-sitting read about empowerment, desire, and what happens when women reject the roles set out for them.

Review

"Ecstasy is a riveting, darkly poetic, one-sitting read" Idk about that. There's a lot of feminist retellings, this isn't really unique or special. Riveting? No I don't think so. If anything, knowing it's a retelling means I already know where the plot is going so I can pick up and drop it any time, and lose nothing. Hailey Piper's novels are riveting, to me. I do think it was fascinating and well written. Rather hamfisted though, in characterization. Yes yes, men are evil controlling penis owners who try to command women via emotional abuse and marital rape. And I guess the feminist retelling part comes from women doing this to men?? A man who's not really a man, I guess he's a symbolism for um men controlling women??? Um ok.
Like... imo, that's not feminism. Feminism is equality, it's getting from under the boots of patriarchy. Women shouldn't be oppressed by men. Men shouldn't be oppressed by the patriarchy. Gender essentialism must be abolished. So women [a woman, really] turns the tables and does that to men [a man, really].
Or am I missing the point? Is the symbolism of the blind woman freeing the chained up Dionysus the feminism part of feminist retelling? Probably maybe. Which alright, it's a nice gesture. A flighting moment of mercy frees both of them from... patriarchy, I guess. Both people just want to live and party heartily. But then again if Dionysus is the symbol of patriarchy, he's not doing it very well. Or it's quite small scale compared to Drew, the human man who is literally the embodiment of capitalism and the patriarchy and etc which goes hand in hand with that. Unless Luz [the jailor] misinterpreted him entirely and just wanted to have some control over other women. Ok I guess that's the feminism. Again, it's for equality, not turning around to become the oppressors. Say! I think I'm Getting It! And by It, I mean. The point.
Sorry, author, if I'm getting this wrong. I know people really REALLY enjoy misinterpreting feminism because various reasons.
It wasn't a bad thing or poorly utilized, but at times the rotating POV felt like a crutch for writing. Sometimes I read those domestic psychological suspense novels which are fast paced and often contain chapters where are merely a page or so long. I get the feeling lengthy scenes are either difficult for some people to read, or its easier to read in between, idk, being a housewife, taking breaks during a retail work day, less exercised reading skills, things like that. Not being mean or insulting, it just what works for the audience these books are intended for.
It is good to read, whether its some big War And Peace high literary doorstopper or someone's published fanfic with the serial numbers filed off and zero additional [professional] editing. To tie this back to Ecstasy, the rotating pov are very fast. A couple pages long, or if only a single page. The writing is competent and well done, I'm not saying it's the same as the more superficial example above. I can appreciate that it's well edited enough that it maintains the pacing and tension.

This Princess Kills Monsters
Ry Herman
fantasy
romance
for once 'qu**r romance novel' actually does mean 'lesbian romance novel'. WOW.

info

themes:   supernatural  
magical  
other
type:   novel  
single author  
race/nationality: white american genderqueer person

Content Warnings
Major: animal cruelty, animal death, animal experimentation, blood, body horror, child abuse, confinement, death, injuries, medical content, misogyny, solitary confinement, torture, violence
Medium: incest
Minor:

Summary

A princess with a mostly useless magical talent takes on horrible monsters, a dozen identical masked heroes, and a talking lion in a quest to save a kingdom—and herself—in this affectionate satire of the Grimm Brothers’ fairy tale The Twelve Huntsmen. Someone wants to murder Princess Melilot. This is sadly normal. Melilot is sick of being ordered to go on dangerous quests by her domineering stepmother. Especially since she always winds up needing to be rescued by her more magically talented stepsisters. And now, she's been commanded to marry a king she’s never met. When hideous spider-wolves attack her on the journey to meet her husband-to-be, she is once again rescued—but this time, by twelve eerily similar-looking masked huntsmen. Soon she has to contend with near-constant attempts on her life, a talking lion that sets bewildering gender tests, and a king who can't recognize his true love when she puts on a pair of trousers.

Review

Cute, charming, kinda cozy fantasy, feminism but for whites, LGBT oriented thank fuck interesting but largely toothless. It's not gorey despite the violence and animal death, and there are scenes of abuse which most people don't realize are abuse. It does a decent job of portraying that and having a [rather wish fulfill-y] culmination to that. The author is quite competent in their writing and knows how to pull off multiple action scenes, and write humorous dialogue that still sounds like a human being would say. And not, you know, some quippy superhero character from a movie series hellbent on military propaganda.
This is the sort of book that goes on lgbt novel recs and fandom moms gush about the qu**r rep and how every gay needs to read about their squishy blorbos. And then when you finally read it, you discover it is the whitest shit you've ever read. I mean sure there's lesbian and trans romance but man.
Don't expect any racial or ethnic diversity in a fantasy book where there are spider wolf combo monsters. To its credit, I think it doesn't even do the Fantasy Continent Equivalant. As in 'Fantasy Asia' where they're and inexplicable combo of Japanese and maybe Chinese if the author isn't a full of weeaboo asian fetishist strictly for Japan. Or everyone's favorite: "Fantasy Africa* [*yes all its countries rolled into one]' who may or may not be the villains. Listen. Remember that Cinderella movie with Brandy and Paolo Montalbanm from the 90s? That's the start if what I want out of fantasy. Diversity, but with care to our cultures.
But I digress. The author is white, I know they're white, and frankly I'd rather whites didn't try to include not white characters if they're not going to bother with, you know. Accuracy. Hiring sensitivity readers. Things like that. Because the book isn't about diversity or multiple kingdoms warring with each other. It's about two whites who fall in love. It's comedic. Humorous. There isn't MCU levels of witty banter, thank fuck. It's a decent book. Kind of mindless in that you don't need to memorize girthy family trees of royalty or lists of characters who may be ne'erdowells. A beach read. A book you read after something ridiculously heavy and cathartic and depressing. It's cute, it's charming, it's comfortable, it's a well made novel. Honestly, in some way I'm glad it exists. LGBT novels like this just didn't when I was a teen / young adult. It's nice to see in the world. And isn't that what we should want? Something better for the next generation of gays?

Feral Lands
John Coon [editor]
horror
ok

info

themes:   supernatural  
occult  
cosmic horror
type:   anthology  
multiple authors  
race/nationality: n/a

Content Warnings
Major: hunting, guns, gun violence, car crashes, parent death, body horror, trypophobia, cannibalism, trafficking, slavery, child death, grief,, body horror, gore, death,, death, body horror, medical content, grief, body horror, gore, violence, injuries, sharps, body horror, violence,
Medium: serial killers, police, gun violence,
Minor:

Summary

Cut off from modern civilization while dealing with unspeakable horror. How do you find a way to survive? Eight talented horror authors explore themes of survival in the first ever horror anthology from Samak Press. Enter their twisted minds and let them take you on terrifying journeys from isolated icy moons to dense haunted jungles. Your blood will run cold as you face a host of terrifying entities guaranteed to haunt your nightmares. Feral Lands features new original stories from Frances Addison, John Coon, R.E. Dyer, Aaron Frale, Mark Gardner, Michael Paige, Lucretia Stanhope, and Mike Sullivan. If you love scary stories, this collection of survival horror tales promises to give you the nightmare fuel you crave.

TOC

The House on Europa by Frances Addison.

Scratcher by John Coon.

Edge Mountain Hello by R.E. Dyer.

Containment Protocols by Aaron Frale.

The Angora Incident by Mark Gardner.

Holes by Michael Paige.

Anticipating Ruins by Lucretia Stanhope.

The Thorny One of the Water by Mike Sullivan.

Review

The stories are quick, simple, and easy to read. Don't expect dense or purple prose. Theres a tenuous themed link to all of them but I'm not going to complain about that. Please give this a chance if you're also interested in reading lesser known or more infrequently published authors. Fave / best of the bunch: Holes

◆ Scratcher
A man on a hiking trip becomes injured. In his desperation to flee back to civilization, he realizes there are more dangerous predators than mere coyotes. Is it simply paranoia, or is there truth to the urban legend of The Scratcher?

◆ The Thorny One of the Water
A man grieving for his recently deceased son goes on a solo trip into the Mexican jungle and encounters something worse than sorrow.

◆ Anticipating Ruins
An archeological expedition to a ancient ruined building quickly learns there's a reason why its as of yet undiscovered.

◆ Edge Mountain Hello
A grieving man goes on a solo hike through the woods, and falls prey to grief.

◆ Containment Protocols
A scp knock off agency breaks protocol for a hopeless last chance at a cure for a reality ending disease.

◆ The Angora Incident
A transport space ship runs into trouble and needs to dock for repairs at a historically questionable and potentially dangerous space outpost.

◆ Holes
A father and son returning from a hunting trip come across a desperate survivor of a spree shooting. But a keen eye notices something which throws the stranger's intentions into question.

◆ Scratcher
Major injuries, sharps, body horror, violence,

Medium serial killers, police,

◆ The Thorny One of the Water
Major child death, grief,, body horror, gore, death,,

◆ Anticipating Ruins
Major death, body horror,

◆ Edge Mountain Hello
Major medical content, grief,

◆ Containment Protocols
Major body horror, gore, violence,

Medium gun violence,

◆ Holes
Major hunting, guns, gun violence, car crashes, parent death, body horror, trypophobia,

◆ The Angora Incident
Major cannibalism, trafficking, slavery,

Gore Point
Johnny B. Truant & Sean Platt
thriller
horror
video-game-like
a dude book for bros

info

themes:   supernatural  
action  
mysteries
type:   First entry in a duology [series?]  
dual author collaboration  
race/nationality: white american men

Content Warnings
Major: body horror, death, gun violence, injuries, mass death, parent death, violence
Medium: animal experimentation, medical content
Minor:

Summary

Adrian and Ray Porter have spent their lives battling demons that claw into our world through a thin spot: a hellish and dead place with a black lake at its center, nicknamed "The Gore Point." But as the rifts begin to change and grow for the first time in decades, can they keep the planet from becoming Hell itself?

Adrian and his hotshot brother Ray work for Brigade One, in the walled-off city of Fortune on the outskirts of the Gore Point. Like their father before them, it's the Porters' job to protect citizens from the creatures that emerge from rifts opening inside the dead zone.

Nobody knows what the Gore Point is or where it came from. It cannot be eradicated. It cannot be closed. The Brigades can only offer triage. Demons have always come through ... and the only solution is to slaughter them when they do.

These days, few people die from the spawn that infiltrate Fortune from its rotted middle ... though as children, Ray and Adrian vividly remember watching their father do exactly that. But something has always struck intellectual Adrian as wrong about that day. The thing that killed their father (an enormous red beast called a hellbringer) wasn't supposed to be there. Adrian suspects there's something beneath the simplicity of modern riftfare, but bullheaded, showboating Ray thinks he's crazy.

Until one day, when the rifts suddenly and inexplicably change. It starts to look like Hell has been sandbagging to lull us into complacence ... with help from a saboteur on the inside.

Gore Point is a "horror thriller": a story about creatures from Hell and the human corruption behind their rise.

Review

Man. I started this in January and finished it on the 21st of this month. It's a dude book. A man novel. A bro epic.
Ok so the plot is interdimensional rifts start cracking open and two brothers--one nerd, one jock--in addition to their [read the jock bro's] team do their best to close them. Except funky stuff starts happening with the rifts and the Upper Management thinks there's a saboteur so they ask the Nerd Bro to investigate his brother / his brother's team. Plot twists ensue.
None of that is especially gendered. What I mean is that it's centered around two men. There's a love interest, a sexless lady scientist, and if there's other minor women characters they are entirely forgettable. It's a real sausage fest. Which ok the plot is centered around two brothers and their tenuous unstable relationship. It's just kinda really boring to see that retread when you've got interdimensional rifts popping up, and literal DOOM cacao demon monsters walking through.
The mystery was decent. You can see the nerd bro trying to figure out what's going on while trying to exonerate his brother['s team]. You see them butt heads a lot so there's emotional depth to it, it's not entirely jock vs nerd stereotyping.
I'm not sure what else to say about it. I've largely forgotten the first half of the novel. The plot twist was cool. Kinda hated the ending because listen. It was shitty when Nintendo made Princess Peach the prize Mario won for rescuing her from the castle. It sucks that this book is doing it now, in the year 2025. Stop using women as prizes for men. And I don't know if the sequel to this is going to subvert that, but I don't have any hopes a white man author is going to do that. The bar is six feet down and you know YOU KNOWWWW these fuckers are always trying to dig up, in feigned incompetence so you start doing the chores instead of him pulling his weight.
The action scenes are decent. The body horror monsters were cool but kind of video game tedious in that they are looked the same. Also there was semi video game mechanics as all the monsters looked the same. Granted there's a good in novel reason for that but man. Kinda eye roll-y to me, frankly. In any case, it's a perfectly acceptable horror action novel.

The Farmhouse
Chelsea Conradt
horror
domestic abuse horror
etc
DIVORCE HIM

info

themes:   paranormal  
location horror  
small town horror
type:   novel  
single author  
race/nationality: white american man

Content Warnings
Major: murder, torture,, parent death, grief, police,
Medium: nooses, injuries, medical content, violence, vomit, parent death,
Minor:

Summary

Every woman who has lived on this farm has died. Emily just moved in.

When Emily Hauk's mother dies, it's time for her and her husband, Josh, to finally leave San Francisco. A farm in rural Nebraska is everything they want for a fresh start: clear skies, low costs, and distance from the grief back home.

They should have asked why the farm was for sale.

Three years ago, a teenage girl went missing from the farm. Soon after, the girl's mother mysteriously died. The deeper Emily digs, the more stories she finds of women with a connection to her new home who've met their own dark ends.

The farmhouse was meant to be Emily's fresh start, but with each passing day, her sanctuary slips further away. The barn seems to move throughout her property, as though chasing her. Her mother's favorite music drifts across the corn. She swears she saw blood in one of the farmhand's trucks. And the screams that wake her are not foxes, no matter how many times her husband says otherwise.

Despite Josh's skepticism, Emily feels the darkness that has seeped into the soil of her farm. And if she wants to claim this place as her own, she'll have to find the truth before whatever watches from the cornfield takes her too.

Review

Very good. Domestic horror. Similar to September House by Carissa Orlando and The Once Yellow House by Gemma Amor, and maybe even We Live Here Now by Sarah Pinsborough. Imo, in regards to themes of domestic abuse horror. Not the typical horror story which includes scenes of domestic horror. Horror about domestic abuse, and the general lived experiences of women. [well ok mostly cis women are listed here.]
The relationship is very cute and charming. I feel like establishing a good relationship is often overlooked when it comes to haunted houses. There should be trust demonstrated before its broken.
You know for once the stale trope of husband not believing wife and all the etc that goes with it makes sense in this context. That the husband, men in general, do not have the same lived experience as women. That they wouldn't see a child victim in a domestic abuse scenario, they'd just see it as wrong place wrong time. Nobody's fault, no forewarning of prior offenses leading up to a murder. And I appreciate the author utilizing that trope in this way. It's never stale either, nor overbearing, but well deployed plot points that escalate how desperate and alone the MC is. And the victims, for that matter.
The mystery is perfectly revealed, a good balance of the paranormal horror it promised and the realistic horror of its setting. The MC does make an effort to investigate despite so many obstacles stymieing her. Not just the expected disbelieving husband, but the general response to her claims. Abuse can be so difficult to prove while it's on going. How can she prove that it happened when its victims are long gone? I liked the part with the teeth. The victims are literally and figuratively silenced, to the point where even physical proof of scattered teeth aren't enough to confirm something terrible happened. It kinda reminds me of the reaction to Amber Heard being sued by the person who abused her. Nobody wanted to believe a bisexual woman was abused. Nobody ever wants to believe women.
In no way is this trauma-/tortureporn. But there are some graphic scenes of abuse and violence. I'd say it's nonetheless cathartic and happy ending.

Hell Divers
Nicholas Sansbury Smith
military propaganda
scifi
fascism fanfic
idk what I expected.

info

themes:   cozy scifi for white cishet men  
dystopias  
type:   novel  
single author  
race/nationality: white american man

Content Warnings
Major: antiblack racism, body horror, cancer, child abuse, copaganda, death, gore, gun violence, medical content, murder, physical abuse, violence
Medium:
Minor:

Summary

They dive so humanity survives… More than two centuries after World War III poisoned the planet, the final bastion of humanity lives on massive airships circling the globe in search of a habitable area to call home. Aging and outdated, most of the ships plummeted back to earth long ago. The only thing keeping the two surviving lifeboats in the sky are Hell Divers—men and women who risk their lives by skydiving to the surface to scavenge for parts the ships desperately need. When one of the remaining airships is damaged in an electrical storm, a Hell Diver team is deployed to a hostile zone called Hades. But there’s something down there far worse than the mutated creatures discovered on dives in the past—something that threatens the fragile future of humanity. Dive into this award-winning Military Post-Apocalyptic Series from New York Times and USA Today Bestseller Nicholas Sansbury Smith. This definitive version includes an exclusive new novella featuring X in his quest for survival as well as custom artwork. Available only on Amazon. Grab your copy today!

Review

I read this book because someone was kin of a helldiver on that fictionkinfessions tumblr and because I like dark scifi. Idk what that kin's source canon is but hopefully they won't read this.
Because boy it fucking sucks and I don't like it. Sorry not sorry bruvnah.
Ok. To state the obvious: it's military propaganda. Fascist, classism, ableist propaganda. Good guys are all white able bodied upper class. Bad guys are poor, disabled, probably not white. Actually, definitely not white in the case of the books human antagonist.
The token black man<.ch> is the bad guy? Really really really really ? Like the only on screen character, nevermind his brother who gets one scene in his prison cell because he tried starting a revolution to get better treatment for the underclass strata of this ship's society.
Idk, I was expecting Dead Space the video game but on earth. So earth aliens. Or something. This.... takes a deep breath. Sucks. I knew it sucked from the summary. But, you know, sometimes entertainment can be shitty. Like b movies, lousy slasher movies with goofy editing and scripts, *gestures towards the whole cozy fantasy scifi martha wells type novels*, etc and so forth. But this just sucked. It's like cozy fantasy but for ooh rah white cishet men.

Requests From The Dead
Stephen Barnard
horror

info

themes:   supernatural  
paranormal  
type:   single author short story anthology  
single author  
race/nationality: white british man

Content Warnings
Major: classism, serial killers,violence, confinement, injuries, suicide threats, excrement, , body horror, gore, death, , body horror, death, murder, , violence, body horror, sharps, medical content, , serial killer, police, asphyxiation, guns, , diseases, murder, violence, cannibalism, , eye trauma, medical content, injuries, , domestic violence, murder,, suicide, police,asphyxiation
Medium: infidelity, car crashes, death, gore, grief,
Minor: alcohol, car crashes, death, indigenous w word, asphyxiation

Summary

Don’t trust me with your name. You’ve no idea what I can do with it.

So thinks a hospital DJ who has trouble with the living and the dead on his radio request show.

Names are central to the title story, and the ten other tales in this collection. That’s because they are all requests. Ten readers have volunteered their names to the author…

Where will they find themselves? And will they all survive?

In YOUR CALL IS IMPORTANT TO US, Wendy Latham hates her job in the call center at the bank, so to make it bearable she challenges herself to always win the game against her colleagues. The game where points are scored by making callers speak or respond in certain ways. However, this time she plays too fast and hard with the emotions of an elderly customer, and there will be a price to pay…

In FOLKLORE FANTASY PARK, Tera Dugan has been reporting on haunted locations for years, and she expects her night time exploration of an abandoned theme park with her photographer, Finn, to be the same as all the rest: a little creepy, but with no conclusive presence of the paranormal. However, Folklore Fantasy Park has other ideas…

In A GOOD EYE, Ross loves taking photographs; it's been a key feature of his month-long visit to the UK. But in a quiet churchyard in Lancashire he takes a shot that includes some people who would rather not have their image captured. When he's asked to delete it and refuses, he brings upon himself consequences he could not have foreseen. Because this is, after all, witch country...

In TACTILE, Controversial artist Tash Schiedel is finally exhibiting after a number of years away. Her work, almost always influenced by her love of zombies, promises to be thought-provoking, shocking, and - because of her use of mixed media and fabrics - tactile. What visitors to the Art Warehouse don't realise is that they are going to get a true taste of the artist's undead nightmare...

These, and six other stories, throw their characters into unnerving situations with terrifying consequences. No one is safe. Not when a writer has your name.

Review

Good variety of plots, no complaints. It didn't thrill me as much as his novella, 'They Let Themselves In'. My favorite of the bunch was 'Requests From The Dead', though the fact that it's about cursed audio did help a lot. Second favorite was 'If 6 Was 9' because who doesn't love a good redemption arc? NOTE: the story Folklore Fantasy Park contains the indigenous W.nd.go word if you want to scrub that out of your copy.
◆ THE FOURTH CORNER OF OLIVE STREET
Major classism, serial killers,violence, confinement, injuries,asphyxiation Minor asphyxiation, ◆ YOUR CALL IS IMPORTANT TO US Major suicide threats, excrement, ◆ SICK PUPPY Major body horror, gore, death, Medium death , arson, demolition, ◆ ALWAYS RUNNING Major body horror, death, murder, ◆ FOLKLORE FANTASY PARK Minor car crashes, death, indigenous w word, ◆ HOUSE CALL Major violence, body horror, sharps, medical content, ◆ THE SLEEPING AND THE DEAD Major serial killer, police, asphyxiation, guns, Minor alcohol, ◆ TACTILE Major diseases, murder, violence, cannibalism, ◆ A GOOD EYE Major eye trauma, medical content, injuries, Medium car crashes, death, gore, grief, ◆ IF 6 WAS 9 Major domestic violence, murder,, Medium infidelity, ◆ REQUESTS FROM THE DEAD Major suicide, police,

Immaculate Conception
Ling Ling Huang
scifi
blew my tits clean off.

info

themes:   capitalism horror  
dark scifi  
art horror?
type:   novel  
single author  
race/nationality: chinese american woman

Content Warnings
Major: child death, csa, cultural appropriation, grief, medical abuse, medical content, medical experimentation, pedophilia, religious abuse, slavery
Medium: 911, parent death, self harm, transmisogyny
Minor: female on male rape, marital rape, rape

Summary

What if you could enter the mind of the person you love the most?

Enka meets Mathilde in art school and is instantly drawn to her. Mathilde makes art that feels truly original, and Enka—trying hard to prove herself in this fiercely competitive world—pours everything into their friendship. But when Mathilde’s fame and success cause her to begin drifting away, Enka becomes desperate to keep her close.

Enter SCAFFOLD. Purported to enhance empathy, this cutting-edge technology could allow Enka to inhabit Mathilde’s mind and access her memories, artistic inspirations, and deep-seated trauma. Undergoing this procedure would link Enka and Mathilde forever. But at what cost?

Blisteringly smart, thought-provoking, and shocking, Immaculate Conception offers us a portrait of close friendship—achingly tender and twisted—that captures the tenuous line between love and possession that will haunt you long after you turn the final page.

Review

Firstly, this is more dystopian scifi than horror. There's no supernatural or other aspects typical of the horror genre. I see this on a fair amount of 'new horror novels of 2025' and eh. It is horrifying but this is more science fiction and psychological thriller than horror. Don't get me wrong. Regardless of genre, it's a very well written novel.
You know, it's very easy for authors to have a success, and then further that success by continuing to do what they just did, but reskinned. Altered. A step to the side. And slightly, in some way yeah, Huang did that. But not entirely. It would be easy to write yet another capitalism beauty industry body horror horror about the racism in society. So she just didn't. But she did write about capitalism. Good lord, is that a specific sub genre now? It feels like it, adjacent to climate change horror and dystopias.
This is about society, and art, and class, and yeah racism. The MC is a woman of color, specifically asian american. Mathilde, I believe, is a white american. It would be easy to make the MC another mere victim. But she is included in the process of capitalism victimizing and commodifying art and artists. Both her own and others.
The place settings are fucking horrifying. Capitalism horror? Is that a genre? Like ok, the city is literally segregated by art installations, the homes of the ultra rich are secretly hidden behind holographs or whatever so the poor literally cannot see they exist. There's so much effort put into settings that aren't really mentioned again. It's truly a dystopia. Thankfully there's no revolution bullshit, this doesn't turn into... I can't even remember whatever popular ya genre dystopia novels there were. Divergent? Hunger game? There's no feel good underdogs rise to the top and start a revolution. [except woops! the underdogs are now the ruling class and nothing has changed. The end, no morals.]
Anyways. Despite the horror, there's heart. And love. And it's a relief to see that in an already miserable landscape. I'm glad it ended on that note considering the amount of abuse that is in this book.
small note: the major content warning for slavery is regarding legal conservatorship and the resulting enslavement of a person, preemptively intending to coerce them into producing work for the conservators. It's not field work or industrial work type that slavery usually entails. Nonetheless it is slavery

Congrats on your Hatred
Charles Bernard
scifi
apocalypses
good job, mr bernard!!!

info

themes: apocalypses  
type:   novella  
single author  
race/nationality: white american man

Content Warnings
Major: body horror
Medium: ecofascism
Minor:

Summary

On Huemul Island, something has awakened. Its creator left a message... and a mission.

Review

Sometimes, advertently or inadvertently, authors will dive whole heartedly into ecofascism like a hog in a pile of shit. That what I thought this novella would be like. But surprisingly, thrillingly, not really. I won't spoil it, but it's a pretty fun dialogue between two characters about humanity's future. It's philosophical, emotional, and well written.

Vanishing Daughters
Cynthia Pelayo
BORING. allegedly suspense
crime
serial killers
SHUT UP WHITE WOMEN

info

themes:   supernatural  
fairy tales  
serial killers
type:   novel  
single author  
race/nationality: white american woman

Content Warnings
Major: asphyxiation, death, femicide, grief, murder, serial killers, violence
Medium: grave desecration
Minor: cannibalism, immolation, rape

Summary

A haunted woman stalked by a serial killer confronts the horrors of fairy tales and the nightmares of real life in a breathtaking novel of psychological suspense by a Bram Stoker Award–winning author.

It started the night journalist Briar Thorne’s mother died in their rambling old mansion on Chicago’s South Side.

The nightmares of a woman in white pleading to come home, music switched on in locked rooms, and the panicked fear of being swallowed by the dark…Bri has almost convinced herself that these stirrings of dread are simply manifestations of grief and not the beyond-world of ghostly impossibilities her mother believed in. And more tangible terrors still lurk outside the decaying Victorian greystone.

A serial killer has claimed the lives of fifty-one women in the Chicago area. When Bri starts researching the murders, she meets a stranger who tells her there’s more to her sleepless nights than bad dreams—they hold the key to putting ghosts to rest and stopping a killer. But the killer has caught on and is closing in, and if Bri doesn’t answer the call of the dead soon, she’ll be walking among them.

Review

Slow paced,. Methodical, if I'm being kind and obvious; tediously desperate in disappearing up its own asshole if I'm not being kind. The entire book goes fucking nowhere. Which some people enjoy, but not me. It's just the MC having bad dreams, having mental illness attacks going on walks, or reciting like a text book the history of chicago.
She does fuck all investigating, so this technically does not count as a mystery genre. And then the serial killer finally gets off his ass and attacks her but then she escapes and tricks him into breaking into her home and then she stabs him with a knitting needle.
Were I charitable, I might wax poetic about reclaiming safe space and using a phallic but [modernly] femininely domestic non-weapon tool into order to something something the patriarchy something white feminism something reverse penetration because penetration is somehow gendered [no I won't do biphobia here even as a joke sorry] and etc and so forth.
At times the mc feels like those pathetic self victimized tiktok white girls who are super into true crime and think the entire world is going to kill them, the fragile whites. It's so grating., Continuing that this this is really boring how the Mc is born and bred to be a victim. Groomed, frankly. Which I GET is a theme but oohhh mymmyyy gooddd I don't care about these rich white bitches. And yes she is rich, she counts as rich to me. She's a supposed freelancer [journalist? not sure.] but she both owns a house WITHOUT ROOM MATES and can afford that. [Ok for the most part, she does mention paying with barely enough to survive. Fine. FOINE.]

How can someone stop themselves from being one of my victims? They can’t, not if they’re meant to be one.

Oooohhhhmmmmyy goodddd. Ooihhh mmmyyy guckkinnggg goooddd.

Goodly Creatures
Austin Shirey
scifi
fungi horror-ish
capitalism horror
to the point

info

themes:   scifi  
mysteries  
type:   short story  
single author  
race/nationality: race

Content Warnings
Major: body horror, murder, medical content, animal experimentation
Medium: animal death, gore
Minor:

Summary

The world is on fire. The last remaining mega-corporation works its employees to the bone to hold us back from the very brink of calamity. But what if the very things we believe to be our salvation are actually the harbingers of our doom?

In this shocking and surreal glimpse of humanity’s not-so-distant, climate-ravaged future, a beleaguered engineer at a monolithic biotech company must track down an elusive biosynthetic creature after it escapes containment and begins wreaking havoc throughout the facility.

Contains illustrations by Pat Hughes and a bonus story set in the same universe.

Review

Short story. Satisfactory. Well written and paced. There's not much to say about this piece, sorry. If you enjoyed this, I think you would enjoy this fuller length novella of similar fungal dystopia themes: City of Spores.

Awakened
Laura Elliott
scifi
horror genre adjacent
it's probably good but i didn't like it

info

themes:   systematic medical abuse and medical misogyny  
love triangle [holds back laughter]  
philosophy shit.
type:   novel  
single author  
race/nationality: white british woman

Content Warnings
Major: ableism, body horror, bone fractures, experimentation, gun violence, medical content, pregnancy, unsanitary, violence
Medium: hand trauma, hate crimes, homophobia, medical misogyny
Minor:

Summary

A year ago, funded by a benevolent but misguided billionaire a group of scientists developed a neural chip to allow us to turn off sleep. Used first by the military, those fitted with the chip developed hyped and strengthened metabolisms. Soon everyone had one. You could turn the chip off; until one day you couldn’t. Deprived of the sanity that sleep brings the world fell apart. Now, marooned in the Tower of London, in a world silent except for the distant screams of the Sleepless, a small group of surviving scientists are struggling to find a cure. Thea Chares is one of them, and our narrator, consumed by guilt for her part in the experiment and haunted by what happened to her mother during her long illness.

And then one day two survivors, a man and a woman make their way into the Tower. But all is not as it appears. They bring with them the hope of a new start and the danger of a final ending. And Chares finds herself inexplicably drawn to the man, who will not tell her his name. Events spiral into a fever-dream of hallucination, violence, dark attraction, a shocking reveal and redemption. Of sorts.

Review

You know that tumblr post about [fanfic] dialogue between characters sounding like heavily sanitized therapy speak? That's this book.. Hell, that's nearly every other conversation. I swear you could pare out all the dialogue and just make it a philosophy essay for substack.
The plot of failing to sleep isn't a new one. It's often a retread one, usually following the same route as many others. People stop sleeping, death ensues. How gorey or tragic or uneventful depends on the author. A thoughtful writer might try to inset a metaphor for capitalism or ecofascism or generalized trauma. This book goes elsewhere. People stop sleeping, but people don't exactly die of it. No. They become. Demons? Monsters? Superhuman? Unfortunately that's all we really get about the supernatural science zombies.
Also there is black characters and CoC but only in single. Sentence mentions like they seem largely indistinguishable from white or other characters. Disappointing representation tbh. Also the Black character is / was a raging homophobe who got his brother hate crime'd to death and also he's real horny for the military. Which does make sense, a lot of lower class people can be groomed into the military industrial complex machine. Anyone can be. But it just feels.... stereotypical? Also the one Hijabi muslim character gets medically tortured. Not the white characters do, afaik. Again, it's hard to tell if a character is Black or of Color. The white author does not mention culture very well. Not unless I somehow missed them??
Then the book does things like insert quotes from the book of revelations and its like. Cheesy cringe. It feels like a heavy metal album where the lead singer recites very ominously and baritone-ly the Revelations verses between tracks. Except that's fitting for a heavy metal album and this is about science zombies with very little connection to christian / catholic religion. FAKE EDIT ok there's discussion about religion, and yeah it's through a christian lens. Which is interesting but a little wasted. I think it could have used a not commonly european religion. Why not Islam? Why not Judaism or Buddhism? Do they not have theology arguments regarding the sanctity of life? But they're never mentioned. SO WHATEVER.
Sometime it feels like it's trying DO Hard to be deep and introspective. Such as the run on sentences and whimsical meandering narratives. At first it was appealing, I enjoyed the discussion. But after a while it started to rag on me, like there's no breathing room to digest the philosphizing.
The Love?? Triangle?!?? is fucking weird. I get there's dialogue about disabilities and agency. But it's weird. Maybe it's the aromantic it me but I kinda just didn't care. Oh this sad sack of rained upon cupcakes of a woman is somehow manipulating these men with this feminine wiles. But subconsciously and also not so subconsciously. Also it felt a bit YA genre dystopia love triangle in that both men are inexplicably, deeply attracted to her. There's even a scene where she gets attacked by a monster and the Tall Dark And Handsome one saves her because she's wilting and gentle. Ok sure she does manage to escape but then she gets banged up and, again, 'sad sack of rained upon cupcakes'.
Also one love interest is called Vladimir. I guess he's the dark brooding super smart one who pushes her boundaries in a theraputic kinda way. The other love interest is a cheerful down to earth emotional [low class?] [probably blonde] one who just goes with the flow. Very ya genre love triangle. [joke: that's the two male love interest genders: blonde and brunette]. The other thing I didn't like about Validmir is that he's basically a therapist for the MC to work out her Mommy Issues. Tbh, and I know how misogynistic this is, I kinda want a book about Vladimir? Like his backstory about being mad someone did Medical Abuse to him, this revenge arc he's got going on, and this weird personal attempt at experimentation with making Sleepless via having them bite him to drink his blood? What the? That sounds fucking awesome.
Well. I don't think I liked where the plot goes. It's decently written, the author clearly does have honed skills and developed talent. I'd read something else from the author, and maybe I would enjoy it more than this one. I just didn't enjoy this book. Side note if you like philosophy in your horror, try Charlene Elsby's book, Violent Faculties. It's heavily gorey, fair warning. I wrote up a review of that, I think in May 2025 book reviews. Somewhere there, waves hand vaguely.
The Count
David-Jack Fletcher
traumaporn
splatterpunk
Did Not Finish

info

themes:   traumaporn  
splatterpunk  
other
type:   novel  
single author  
race/nationality: white gay american man

Content Warnings
Major: blood, burns, child abuse, gore, infidelity, murder, physical abuse, police, self harm, starvation, unsanitary, violence, vomit [incomplete CWs due to DNF]
Medium: vomit
Minor:

Summary

When Sam’s ex, Danny, winds up gutted beyond recognition, Sam has no memory of where he was at the time. He can only remember the strange comfort of his new house. The endless ticking of a clock he can’t find. The bloody knife he woke up holding the morning Danny was killed.

Sam’s guilt over Danny is undercut by the endless ticking, a growing desire to drink from the dead, and anonymous GPS pings that lead him to corpses. The stench of them rotting makes him hungry.

He begins to feel the ticking inside him, feeding a darkness he’s long ignored. It compels him to take what he wants, regardless of the price. When he begins to act on his bloodlust, the ticking leads him to the death of a loved one.

The clock begins to point to more of Sam’s friends and family, begging for their blood. Fuelled by a deep desire to feed, and compelled by the power of the ticking clock, how far will Sam go to get what he wants?

Review

this is a real rough book. as in not well written imo, not as in difficulty of subject matter. You can see the skills and talent, but they're just out of reach. This is definitely tortureporn splatterpunk traumaporn type stuff. But it superficial and retreading topics others in the same genre(s) have done better. And not even the refreshing take of #OwnVoices with a gay man main character can save it.
Maybe there's more but it's weirdly... sexist? misogynistic? idk, it's WEIRD to include a second pov of a little abused girl character but focus mainly on the gay man character. Ok sure he's the MC it's going to be all about him. But it feels weird to me an entire dyke to utilize a girl child's pain to support a man's pain. I don't like it. There's probably a point to that which I am not seeing--because I'm not finishing this book. But I don't care enough to know. So there.
Characters are superficial. The rush to display new characters ends up a slosh of traits with no depth. The bad guys are cartoonishly evil.
The plot propulsion feels a little flimsy. Like... why are they doing this? Not quite in a 'breaking video game sequence of events' but a lack of basis for motivations. We're told MC just broke up with his boyfriend due to infidelity on the ex's part. Which yeah, that's reasonable and shitty and understandable that the MC is still in love with him at that point of the break up. But what's not understandable is the lack of background. There isn't really memories or flashbacks of loving moments which would sell me on just why the MC goes from heart-broke and lingering in love to obsessive stalker.
I admit I'm partially biased against this book because I almost read, alongside this, the author's short story / novella collection. Which was more of the same superficial splatterpunk albeit with gay main character(s). I'm clearly not the audience for this book. Someone else can enjoy it. Not me.
The Door and Other Uncanny Tales
Dmetri Kakmi
horror
*check marks emoticon*

info

themes:   supernatural  
historical  
cosmic horror
type:   single author anthology  
single author  
race/nationality: turkish australian man

Content Warnings
Major: body horror, csa, dogs, gore, hanging, incest, infidelity, pedophilia, police, rape, rape attempts, sexual abuse, sexual content, suicide attempts, trafficking, violence trafficking
Medium: abortion, pro choice, child abuse, physical abuse, murder, child death, suicide, asphyxiation, parent death, suicide,
Minor: amputation,antiblack racism, antiblack racism, racial slurs,domestic violence, excrement, unsanitary, heights, injuries, necrophilia, sexual content,

Summary

Living paintings, spectral children, cannibal serial killers, lost souls, haunted houses, and ancient evil proliferate The Door and Other Uncanny Tales. Everywhere reality and fantasy collapse to create a new unstable world, even the body is not what it seems. Combined with Dmetri Kakmi's gothic imagination and mordant humor, the result is fiction that is as memorable as it is unsettling.

This collection contains three new and three previously published stories, including the acclaimed Haunting Matilda, The Long Lonely Road and The Boy by the Gate.

Table of Contents

The Door

The Boy by the Gate

In the Dark

The Long Lonely Road

Light in Her Eyes

Haunting Matilda

Review

A good variety. Mediocre. Reasonable amount of tension. Good pacing. Superficial characterization, kinda very white cishet author writing. It very much leans on shock for creating a good plot instead of, you know, building up a good plot. I don't think I'd recommend this unless you really need a quick short read for fulfill a game-fied Read Books check list.
Note for story 1 medium ableism about the monster bring a person with deformities or burn scars.,
Jasper Cliff
Josh Kemp
suspense
horror
supernatural
the rift is a metaphor for STUFF.

info

themes:   supernatural  
suspense  
monsters
type:   novel  
single author  
race/nationality: white australian man

Content Warnings
Major: alcohol abuse, alcohol use, amputation, animal attacks, animal death, antiblack racism, arm trauma, body horror, drowning, gore, injuries, murder, rape attempts, sexual content, slavery, snakes, vomit
Medium: animal death, anti Asian racism, csa, incest, male on male rape, sexual assault, rape, sectioning
Minor: fatphobia, infidelity

Summary

When Toby Bowman vanishes, his brother Lachlan retraces a road trip to the last place Toby phoned from – a remote northern town called Jasper Cliff. There, Lachlan finds himself marooned at the dying town’s pub, and soon learns that his brother is just one of many to have gone missing in recent years. Like Toby, his brother becomes obsessed with finding the Rift, a deep hole in a ravine somewhere in the hills. But what will Lachlan learn, and what will he see, if he stares into the Rift, too?

Review

I'd call this more crime with supernatural elements than outright horror. It's not out of place on a horror genre list, but be aware it's crime / mystery with minimal supernatural elements to it. Don't expect action horror scenes where they hunt down the monsters a la that ostrich war of 1970 or something.

I'll say this book has courage to start out with two whole chapters of other characters before we get to the main character. It's a rotating POV, but I don't often see that we start with more than one other POV besides the summary's main character. Good on you, author. They're very good introductions, I think it gives the other characters a solidness, a depth. They aren't just here to support the MC on his journey to find his brother. They are a part and a symptom of this town, as the MC will become.

Like many mystery novels, MC gets stuck. The lack of clues, the loss of personal transport, the accruing of injuries and self injury. [ok ok I know, aussies have a different drinking culture to americans / everyone else. But self medicating with booze because your brother is most likely dead probably ain't a good thing.] I liked this thematic element of stuck-ness. He's not the only one. From the Aboriginal woman who holds daily vigil for her missing daughter, to Pippa also lingering for familial reasons, and nearly everyone in that town descended from those passing by and also lingering to death. Yeah the Rift is a cave, but who says an abyss, a black hole, has to be a literal cave? Sometimes small towns are just like that. A tar pit, and this one preserves with fancy brass plaques citing the fashion of your death.

Speaking of supernatural, yeah it's real. It's not a metaphor, there's confirmed supernatural shenanigans. You won't be disappointed by crime genre's usual scooby-doo-esque rug pull. The scene of amputation and its following revelation was gasp worthy. I could just see that as a movie scene.

Remedy
J. S. Breukelaar
science fiction
cosmic horror
the scars are a metaphor

info

themes:   supernatural  
cosmic horror  
horror as a metaphor for grief / trauma
type:   novel  
single author  
race/nationality: white american woman

Content Warnings
Major: body horror, breast trauma, child death, injuries, medical content, violence, whorephobia
Medium: animal attacks, dogs, gentrification
Minor: misgendering, transmisogyny

Summary

Nat Jacobs finds herself alone and far from home in a mirror world, where she is herself . . . and not. She can remember being nightmarishly wrenched away from her child, unbearable pain, and then nothing. Traumatized and visibly scarred, dismissed as hysterical, irrational even—she finds others like her in a support group, all living lives of those wounded in terrible accidents that they can't remember, taken from those they love with no explanation. And no hope of return. Or is there? When an apparent saviour appears, claiming to have a remedy, some jump at the chance. But what if the cure is worse than the disease?

Review

Ok I get it. The monsters are literal but don't expect action horror where the characters literally acquire some magic [THING] to kill the monsters. It's a gentle sort of metaphor. Definitely more science fiction than horror.

So like, metaphor for healing, but make it scifi with a horror tinge. It's a good balance between literal pain and scars and philosophical ones, but not in a way that feels saccharine or hand hold-y. If you like long pondering books about grief and trauma and healing, maybe you'd like this? It's not long but there is some pondering. Puddling, maybe. Don't take that as dismissive, it's very well done and contemplative.

spoiler text

Seven Demons
Aidan Truhen
action
thrillers
villainy
Her eyes are terrible dark and deep and I have promises to keep and deaths to die before I sleep.

info

themes:   action  
villains  
actually genuinely funny
type:   novel [chronological sequel]  
single author  
race/nationality: white american man

Content Warnings
Major: asphyxiation, blood, confinement, death, dogs, injuries, medical content, police, sexual content, stabbing, torture
Medium: Islamophobia, suicide
Minor:

Summary

Jack Price and his Seven Demons, the most dangerous and feared assassins in the world, are taking on the bank heist of the century.

Meet Jack Price and the Seven Demons: Doc, the evil mad scientist presently using Jack for sex; Rex, an explosives expert who doesn’t ask too many questions so long as something goes boom; Volodya, a Ukrainian assassin who may or may not be a cannibal; Charlie, a comic book artist with computer skills and an anarchist bent; Lucille, whose specialty is razor-edged hugs; and Jack’s predecessor, Fred, who doesn’t contribute a whole lot owing to being a severed head on a stick. Finally there’s Jack himself, former coffee magnate turned cocaine dealer turned First Demon, but basically just a guy trying to get along.

Jack has a problem. The Seven Demons don’t have a contract, and there’s nothing more volatile than a gang of deadly killers with nothing to do. Luckily, a shadowy Eurotrash businessman wants them to pull off the heist of a lifetime, breaking into a bank that makes Fort Knox look like the corner candy store. Jack thinks this will be a nice little diversion for his crew . . . until a rosy-cheeked, lederhosen-wearing little psychopath named Evil Hansel stabs him with an oyster knife, and the whole situation goes completely to hell.

Someone isn’t playing straight, and in a game of double crosses, Jack Price will do anything—literally, anything—to come out on top.

Review

Remember when you were like 10 and never read a book before and all these things happening in the plot was fantastic and amazing and whoa wholy shoot this is blowing my mind!! Action! Adventure! Plot twists and other things you never saw coming!! There are GUNS and Explosion! The plot zigs and zags and never disappoints with meandering side quests. There is also some heartfelt parts which gave it more depth than the usual 'go here, do crime, retreat and talk about the crime you just done'.

That's this book. Incredibly fun, unique voice, excellent plot twists. It's a beach read that doesn't deserve to be a beach read, it's that much fun. Like a spy thriller minus the spying and the government bootlicking nonsense. This is basically honorary comic book Villains minus the super powers. So basically evil batman? I don't know, I don't read comics, which are for children. [obvious bait is obvious].

Some nitpicks: only one lady villain? Well alright. I guess conventionally, Crime with a capital C is a hard business to break into. I GUESS.....

Carter House Curse
Micheal D. Woodruff
horror?
paranormal
bad.

info

themes:   supernatural  
paranormal  
type:   novel  
single author  
race/nationality: white american man

Content Warnings
Major: i didn't collect any tbh it wasn't very good [imo]
Medium: incest, infidelity
Minor:

Summary

Emma Carter inherits the family house. With nowhere else to go, she faces the good and the bad with the same determination. When she discovers there's more to the hauntings than ghosts, Emma is determined to cleanse the home and eliminate the family curse forever.

Review

Flimsy mythos, very tell and not show hand holding through the plot. The plot twists were uninspired. Kinda video game-y but not in a good way. Very superficial characterization and retread plot point of countless other similar stories. I don't think I was the audience for this book.

Kill Creatures
Rory Power
suspense
young adult
crime
mystery
it was ok. but like can book sites PLEASE list when a book is ya genre kthxbai

info

themes:   suspense  
young adult genre  
type:   novel  
single author  
race/nationality: white american woman

Content Warnings
Major: addiction, alcoholism, child abuse, gore, infidelity, kidnapping, murder, parent death, physical abuse, stalking,
Medium: starvation, torture
Minor:

Summary

Last year, Nan’s three best friends ventured into the canyons near their small town and never returned. Now one of them is back, and Nan can’t believe it…because she’s the one who killed them. From the author of Wilder Girls comes another dark thriller about friendship, jealousy, desire, and revenge, with a twist ending that needs to be talked about. Last summer, Luce, Edie, Jane, and Nan took a boat out for one final swim in the river. It was a perfect summer night. But the only one who returned that night was Nan.

Edie, Jane, and Luce disappeared, and Nan’s story has always been the same: She has no idea what happened. The girls went ahead, and it was as though they vanished into thin air. Now, one year later, all of Saltcedar has gathered at the river for a memorial. Nan even recreated the outfit she wore that fateful day last summer. And when Luce climbs out of the water, no one is more surprised than Nan. Because Nan killed her. Right before she killed Edie and Jane.

Review

Smart, good plot twist, fun unreliable narrator, slow paced but well plotted. Not horror, no supernatural themes. The genre is mystery / suspense.

This World Belongs to Us: An Anthology of Horror Stories About Bugs
Michael W. Phillips Jr. [editor]
horror
insect horror
supernatural
THE WORMS GO IN THE WORMS GO OUT THE WORMS PLAY PINOCHLE ON YOUR SNOUT

info

themes:   supernatural  
insect horror  
body horror
type:   themed anthology  
multiple authors  
race/nationality: n/a

Content Warnings
Major: age gaps, animal death, gore,, animal death, mind control, body horror, child abuse, physical abuse,child death, gore,, confinement, gore, unsanitary, death, unsanitary, animal cruelty, child death, death,, death, ear trauma, medical content, mind control, excrement, genital trauma, castration, cannibalism, gore, body horror, grief, parent death,, hunting, guns, infidelity, insects, child death, grief, death, kidnapping, confinement, medical content, parasites, diseases, medical content, gore,, pregnancy, vomit, prisons, prison abuse, unsanitary, violence,, spiders, torture lesbophobia, religious bigotry, torture, femicide, victim blaming, violence, hand trauma, amputation, vomit,
Medium: body horror, cancer, cannibalism, murder, murder, pedophilia, csa, prisons,, self harm, eye trauma, sexual content, misogyny, suicide,suicide, torture, face trauma, injuries, scars,
Minor: ableist r slur, excrement, lesbophobia, stampede, crushing, whorephobic language, parent death, csa, incest, excrement,

Summary

THIS WORLD BELONGS TO US is an anthology of horror stories about bugs, writ large—we’re not scientists, so spiders and slugs and scorpions (oh my!) are in here too. A child pays for a thoughtless action for the rest of her life. A lothario mistreats the wrong woman. A hunter tracks a horrifying monster to the edge of reality. Space larvae learn to be human. An influencer hawks this year’s most popular accessory. A prisoner in solitary makes a new friend. And more, and more. This collection will terrify you with nineteen stories about the creepy-crawlies that were here before us and will be here long after we’re gone.

toc

Copyright

Acknowledgments

Insect Hag by Yvette Tan

In This House, Spiders Are Our Friends by C. B. Jones

Blue-Eyed Pearls by Gwen C. Katz

Glock Dookie by David Simmons

Brood by R. M. Kidd

Snow White’s Shattered Coffin by Cynthia Pelayo

Honeydew and Cloves by Bitter Karella

Attaboy by Kealan Patrick Burke

A Confession of Earwigs by Paula D. Ashe

The Seventh Instar by Kay Vaindal

Imago by Octavia Cade

Monarchs in Flight by V. Castro

By That River Strange Things Travel by J. A. Prentice

Swarm by Rowan Hill

Bug Mother, Bug Mother by Bert SG

The Butterfly Catcher by Jaclyn Youhana Garver

To Them You Shall Return by Felix I.D. Dimaro

Lady of the House by Laurel Hightower

The Cocoon by John B.L. Goodwin


Review

Good solid variety of interpretations for the anthology concept, consistent quality across all stories, no complaints here. I had fun reading about horrible things involving bugs.
Particular fave:
◆ Blue-Eyed Pearls by Gwen C. Katz - One of the more interesting takes on the cordyceps fungus I've read so far. Neat take on the epistolary concept by including things twitch streams.
◆ Insect Hag by Yvette Tan
Major parasites, diseases, medical content, gore,,
◆ In This House, Spiders Are Our Friends by C. B. Jones
Major spiders,
Medium body horror,
◆ Blue-Eyed Pearls by Gwen C. Katz
Minor stampede, crushing,
◆ Glock Dookie by David Simmons
Major prisons, prison abuse, unsanitary, violence,,
Medium suicide,
◆ Brood by R. M. Kidd
Major child abuse, physical abuse,csa, incest,
◆ Snow White’s Shattered Coffin by Cynthia Pelayo
Major insects, child death, grief, death,
Medium suicide,parent death,
◆ Honeydew and Cloves by Bitter Karella
Major vomit,
◆ Attaboy by Kealan Patrick Burke
Major grief, parent death,,
Medium prisons,, cancer, self harm, eye trauma,
◆ A Confession of Earwigs by Paula D. Ashe
Major age gaps, torture , lesbophobia, religious bigotry, torture, femicide, confinement, gore, unsanitary, kidnapping, confinement,
Minor lesbophobia,
◆ The Seventh Instar by Kay Vaindal
Major ear trauma, medical content, mind control,
Medium murder, cannibalism,
◆ Imago by Octavia Cade
Major pregnancy, vomit, victim blaming,
Medium pedophilia, csa,
◆ Monarchs in Flight by V. Castro
Major child death, gore,, death,,
◆ By That River Strange Things Travel by J. A. Prentice
Major animal death, gore,, hunting, guns, body horror,
◆ Swarm by Rowan Hill
Major violence, hand trauma, amputation, genital trauma, castration, cannibalism,
Minor whorephobic language,
◆ Bug Mother, Bug Mother by Bert SG
Medium torture, face trauma, injuries, scars,excrement,
Minor ableist r slur,
◆ The Butterfly Catcher by Jaclyn Youhana Garver
Major gore, body horror, animal death, mind control,
Medium murder,
Minor excrement,
◆ To Them You Shall Return by Felix I.D. Dimaro
Major excrement, medical content,

Medium sexual content, misogyny,

◆ Lady of the House by Laurel Hightower

Major infidelity, death,

◆ The Cocoon by John B.L. Goodwin

Major death, unsanitary, animal cruelty, child death,

The Hangman Feeds the Jackal
Coy Hall
suspense
historical
crime
another fine mess

info

themes:   suspense  
crime  
action and adventure
type:   novel  
single author  
race/nationality: white american man

Content Warnings
Major: animal cruelty, arson, child death, death, death penalty, demolition, gore, guns, hanging, house fires, murder, rats
Medium: animal cruelty, child abuse, child death, immolation, physical abuse, unsanitary
Minor: rape

Summary

Elijah Valero is a gunfighter afflicted with terrifying hallucinations, including a pervasive one of The Hangman out to kill him.

Dogged by the relentless specter of the Hangman, Valero mistakenly kills innocent victims and is forced to hide in an abandoned monastery for his own safety and for those of others. Once there, he encounters far greater dangers than the imaginary Hangman, and gains a bid for redemption as he faces down some silver-hungry drifters out to terrorize a town for its riches.

Review

While there's some implied ambiguous paranormal / supernatural imagery and elements I hesitate to call this western horror or horror at all. This is more historical suspense crime, with interesting but intermittent supernatural elements. Disappointing to me, in this moment, as I was hoping and expecting for something solidly horror genre or ambiguous enough to land near the horror genre. Otherwise a pretty solid historical Old West, crime and action thriller. The rotating POVs were interesting and there was some genuinely sympathetic underdogs

The summary is also a bit misleading. It's a rotating POV, and there's a fair amount of attention paid to the 'silver-hungry drifters'. It's not a solo POV with an antihero redemption story. Otherwise yeah it's pretty good.

The Price You Pay
Aidan Truhen
thrillers
crime
action and adventure
ITS FUN JUST READ IT OK DAMN

info

themes:   action  
villain minus the superpowers  
crime but you're the bad guy [laudatory]
type:   novel  
single author  
race/nationality: white british man

Content Warnings
Major: death, demolition, dogs, drug abuse, drugs cocaine, gun violence, injuries, mass murder, medical content, murder, violence
Medium: 9/11, grief
Minor:

Summary

In this audacious, lightning-paced thriller, a smart-mouthed, white-collar drug dealer–a hilariously irreverent antihero–seeks revenge when an unknown enemy takes out a contract on him. Jack Price is having a bad day. What he absolutely did not need was for someone to execute his grouchy old neighbor as if she was a drug mule. Questions will be asked, and Jack is a small businessman in a competitive sector hobbled by red tape and, you know: laws.

Just because the product Jack trades in is cocaine, people assume it’s all guns and murders, but that is the old cocaine business and Jack is all about the new one: high-tech, high-end and on-demand. But when Jack begins making some inquiries with a view to calming the whole thing down, someone hires the Seven Demons to kill him. You bring those people in to kill generals and presidents and take down countries, not to mess with a guy who’s just trying to get along.

The thing is that the Seven Demons and their client have misunderstood the situation. Jack is not upset. In fact, he’s grateful for the clarification. Jack is the kind of guy who adapts well to new business models. He has a unique approach to executive problem solving. In fact, Jack is batshit crazy. And when you mess with Jack, there is a Price to be paid.

Review

Ok turns out this is the first in a series, in a chronological fashion. Yeah you can read the next book and not miss anything--the second does not have anything to do with the first. Though there are minor details in the second which will become minor spoilers for the first book, in that it kinda tells you who the bad guy is. You know, if you remember all the minor details from the second book, when reading the first.

ANYways. Bombastic in the most realistic way, there's some fight scenes but most is at some distance. There's a fair amount of gore and violence, but not over the top torture scenes. It doesn't shy away from the results of violence, but it's not splatterpunk gratuitous.

It escalates carefully, without feeling like it's going through a checklist of To Kill. There's a good variety of obstacles [people to kill] without feeling repetitious or relying too hard on action spy thriller stereotypes. I think, in my opinion. I haven't read that many action spy thrillers on account of most of them being white cishet author military / police propaganda with heavy doses of sexism.

Speaking of, this has a decent amount of women characters, like the second book. Honest to god, when someone does NOT do the whole girlchild/bangmaid/sexless-mommy-figure trifecta in a book, I'm thrilled. You got Sarah, not really love interest and very morally upright lawyer lady. Doc, crazy smart murder woman. Karenina, military murderer extraordinaire. Didi, unfortunately a murder victim but thankfully not a mommy figure to the MC. Charlie, computer whizzard. Certainly more one offs, but that's the main cast of women.

Of Flesh and Blood
N. L. Lavin & Hunter Burke
Mystery
crime
horror
But you could feel your feet crumbling the floor beneath you, it was so rotten. The smell of it, and the decay. Everything was so brittle, the surfaces and the grime and filth inside, every nook and cranny of it. The whole thing felt dead. Not dead in the way a house or a building or a table or a chair has never been alive. Dead in the way an animal or a person is dead. Corrupted.

info

themes:   horror as a metaphor for grief  
supernatural  
horror
epistolary
type:   novel  
single author  
race/nationality: white american men [both people]

Content Warnings
Major: kidnapping, amputation, car crashes, gore, blood, suicide, animal death, hunting,child abuse, antiblack racism, murder, gun violence, hate crimes, injuries, medical content, violence, gore,
Medium: childbirth, taxidermy,
Minor: suicide

Summary

A forensic psychiatrist’s investigation into an infamous Louisiana serial killer leads him down a dangerous path of obsession as he discovers they share the same cursed blood.

This chilling debut horror novel will captivate readers of Chasing the Boogeyman and What Moves the Dead and fans of True Detective.

In 2008, a serial killer known as the Cajun Cannibal brutally murders and consumes the flesh of eight people in a small Louisiana parish. With law enforcement closing in on him, he takes his own life before he can face the inside of a courtroom.

Ten years later, when forensic psychiatrist Dr. Vincent Blackburn discovers he and the Cajun Cannibal are more closely connected than he realized, he begins a case study into the sociopathy behind the killer’s grisly deeds, only to find a torrent of small town politics, interracial family dynamics, and whispers of the supernatural muddying once clear waters.

When copycat killings start anew, Vincent is thrust into the center of it all, putting his life, his family, and his own sanity at risk. As monsters—both figurative and literal—begin to manifest, Vincent discovers that untangling the truth from the lies is only the beginning of his nightmare.

Told through the pages of Dr. Vincent Blackburn’s case study memoir, and certain to appeal to readers of A Flicker in the Dark, this macabre psychological horror will leave your heart racing.

Review

What a well written, well constructed book. This contains multitudes. Horror as a metaphor for grief. Ok ok it wasn't just grief, but that was the main thread, I feel. You got a huge, confusing mess of Whys. Why did he murder my son? Why did this person get attacked? Why did this happen? Why me? Would me? Would me be like this other who did bad? Why?

The variety of POVs was utilized well. Both for maintaining tension, but also filling out the backstory where the doctor MC wouldn't be able to. And I liked that the alleged murderer also had a chance to speak in his own words. It felt.... tactful? It'd be easy to make out a man with psychosis as a villain or unstable victim of circumstance. At least there were chances to show him as an ordinary man who happened to be mentally ill. There's a Black woman cop. I generally hate when Black characters are cops, especially when it's for the boring old Diversity Check List people do so they can claim that as a marketing point. [Because most of them time we're portrayed as Tokens and frankly I'm tired of that shit. But I digress.] ANYWAYS. Black lady cop. Quite tactful in regards to race in America, which is surprising from two white(?) men authors. There is depth to this Black character. There are repeat mentions of how black Americans were treated historically, specifically their African ancestors who were enslaved. Also how Black americans are treated to this day. It impacts the plot! HOly SHiT I know! Yes a black man does die early on but I feel it serves a purpose to the plot rather than the usual antiblack habit of killing off the black characters for shock or plot movement.

I loved the mystery. The evidence. The mystery is solved, so this doctor goes out to prove it. Except he proves himself astray. Not quite wrong, there was murder and killing, but the hows and whys don't add up. And it's not just police incompetence [ok actually yeah it is they are eternally worthless acab kill em all]. It feels partly like going down a conspiracy holes, and partly like those people who get really, REALLY into things like ARGs and those internet youtube series about analog horror and such.

No this isn't about antisemitic lizard people where you're talking about levels of MK ULTRA code phrases that sound like the drug abusing mentally ill unhoused person screaming on the street corner. It's the one step too far down the rabbit hole, the pull of the whirlpool to follow a thread a fraction too far. I liked that the MC has his own intimate tie to the alleged murderer. It's not just a distant cousin, it's that he too has, or is at risk, of having psychosis. And while psychosis isn't a reason anyone murdered, it's a reason why a person was accused of alleged murders. According to the MC doctor himself, there's a high chance people in his immediate family would also have psychosis. Just according to statistics. So is he too predisposed to believe in this rabbit hole of Loup Garou / Rougarou? Who knows.

There is and isn't supernatural happenstances. The ambiguous is very good. It doesn't feel like a rug pull, like Ronald Malfi sometimes does with his allegedly supernatural / paranormal horror novels. No I don't think there's supernatural monsters going on. But at the same time yeah I do. Maybe it's not just a disease that makes people irrational to the point of violence. But there's never concrete evidence in the story, no bodily transformation into a Loup Garou, or scientific tests to say 'yes this is some fucked up shit happening here!'. There is some transformation, but again it still ambiguous. Again, very well done. I don't feel like I've been lied to by the summary or bait and switched. It's got one foot in the horror genre and one foot in the crime / mystery genre(s).

The one thing that disappointed me was the mention of w.nd.gos. For all the tact it had for everything else, that felt so out of place. Was that the point? It's hard to tell with casual racism and appropriation. And it was in just one part of the book, maybe a few paragraphs, barely mentioned beyond that chapter. Hm.

Because of the w.nd.gos thing, I don't think I'll put it on my top 2025 novels list. But it's so well written that I would mention it publicly here. Usually I don't when people do stupid shit like appropriate w.nd.gos for their stupid little horror novels. I have half a mind to use calibre to just edit that part out, but I know it'd ruin a particular plot point. Sigh. Well. That is my nitpick to carry. I doubt other people care as much, so here you go. A very good horror crime mystery with epistolary elements.

The Haar
David Sodergren
horror
eldritch horror
fuck yeah meemaw! get it!

info

themes:   supernatural  
eldritch  
ocean horror
elderly main character(s)
capitalism horror
type:   novel  
single author  
race/nationality: white scottish man

Content Warnings
Major: ageism, anti feminism, arson, body horror, death, elder abuse, excrement, gore, murder, sexual content, unsanitary, violence
Medium: self harm
Minor: animal death

Summary

Muriel McAuley has lived in the Scottish fishing village of Witchaven all her life. She was born there, and she intends to die there.


But when an overseas property developer threatens to evict the residents from their homes and raze Witchaven to the ground in the name of progress, all seems lost… until the day a mysterious fog bank creeps inland.


The Haar.


To some it brings redemption… to others, it brings only madness and death. What macabre secrets lie within… The Haar.


Romantic and deranged, The Haar is a gore-soaked folk horror fairy tale from David Sodergren, author of The Forgotten Island and Maggie’s Grave.

Review

Nicer than the other novella, [title removed]. Heart warming, good variety of building tension scenes. Well interspersed with domestic scenes so it wasn't repetitive.

The mythos isn't explained too much but it's not a sticking point. It's almost a relief how straightforward it is. No complicated pantheon of gribbly grobblies.

There's a decent amount of gore and violence. Enough to be considered splatterpunk, but it doesn't have the usually gratuitous feel to it. It wasn't violence for the sake of violence, you know?

A Dead Church
Harold Billings
horror
Did a building over time construct a level of rationality, as might dead cemeteries, engage in networks and linkages within the living earth to become beings of another kind?

info

themes:   supernatural  
occult  
decay
type:   single author anthology  
single author  
race/nationality: white american man

Content Warnings
Major: animal attacks, beastiality, body horror, confinement, face trauma, sexual content
Medium: colonization
Minor: death, drowning

Summary

“Harold Billing´s A Dead Church is of fieldstone and mortar, constructed by immigrants in the wilderness of North America, became deserted during its one hundred and fifty years because of a confusion of evil and goodness among those it touched - concupiscent bird and monk, a sensuous mountain stream hungry for its cemetery, young visitors within its walls searching with the hottest lust for good or evil . . . perceived by a sentient network of roots and stones and bones and masses of living trees into which its buried walls have gradually joined.” Limited to 86 (with a few additional for private distribution)numbered copies and sold out on publication.


TOC

The Angel Headstone


Bright-Eyes


The Monk’s Wild Garden


Echoes of Jericho


The Field of Stones: An Epilogue

Review

A Dead Church is a single author anthology. More to the point, it's a collection of brief stories in a chronological order regarding just that: a dead church.

The rumination is fascinating. The church is crumbling, most likely desanctified, yet still maintained one way or another via dishonored monk. I'd hesitate to call it a haunted house because there are nor paranormal aspects to it. Nevertheless, it is inhabited, there is life there, not always of this plane of existence.

We start with the Angel Headstone. A archeology student heads to this long abandoned church to examine an old sculpture done by a relatively famous woman sculpture. This sculpture was a one off, and radically different than the artist's body of work. He gets more than he bargained for, in a almost lovecraftean plot twist, albeit more supernatural, than eldritch.

The next two stories follows up on this, the student returning with his girlfriend and fellow archeology student. Her fascination is with finding the angel faced monster, which she presumes to be a living dinosaur. Specifically, a pterosaur which somehow survived and was cultivated among the local immigrants to the area about 100 years ago. Suffice to say it does not go as planned, and there's contemplation on the nature of the beast, revenge, and the location it chose to linger in.

The last story is of a halloween party thrown at the church. Again, things go badly due to natural disasters.

My favorite thing was bringing up the concept of linked abandoned places, like a mass fungi organism, all across the world. I liked the concepts of collective erosion. Bodies for fertilizer, churches built of stone then collapsing, returning to the earth once more. It poses some interesting questions, offers no particular answer. It's an interesting study of a funny supernatural occurrence in a very small town.

◆ I. The Angel Headstone

Major sexual content, confinement, body horror,

◆ II. Bright-Eyes

Major sexual content, face trauma, animal attacks,

Medium colonization,

◆ IV. Echoes of Jericho

Minor drowning, death

Charlene Elsby
horror
feminist horror
splatterpunk
trainwreck but it blueray HD and utterly mesmerizing

info

themes:   feminist horror  
splatterpunk-ish  
literary horror
type:   novel  
single author  
race/nationality: white american woman

Content Warnings
Major: amputation, confinement, dogs, gang rape, gaslighting, genital trauma, head trauma, kidnapping, mouth trauma, physical abuse, sexual abuse, sexual content, torture, trepanning, vaginal trauma
Medium:
Minor: sexual content, starvation

Summary

A philosophy professor tests the limits of the soul and body by performing dehumanizing experiments on unwilling subjects, after the department is closed due to budget cuts.

Violent Faculties follows a philosophy professor influenced by Sade and Bataille. She is ejected by university administrators aiming to impose business strategies in the interest of profit over knowledge.


She designs a series of experiments to demonstrate the value of philosophy as a discipline, not because of its potential for financial benefit, but because of its relevance to life and death. The corpses proliferate as her experiments yield theoretical results and ethical conundrums.


She questions why it is wrong to kill humans, what is it about them that makes their lives sacred, and then attempts to find it in their bodies, their words, their thoughts, and their souls—seeking foundational truths with a knife in her home office.

Review

Briefly: Dense but not purple. Gorey but not over the top or excessively gratuitous. Perfectly reasonable. Support women's wrongs. Intelligent philosphy.

You ever notice how abusers will learn and utilize therapy terms I order to deny and justify their abuse? This is that in a novel. Or, well, no, that's a misguided and uncharitable reading. If the MC is in an abusive relationship [and I'm not saying that's in this novel] then she would be the victim fighting back against her abuser. [Again, this isn't about abusive relationships, per se. Perhaps on an abstract, society wide level. But I'm getting off road here.]

Kinda like the first saw movie except run by a non cancer having woman and is largely clinical about the torture. Fascinatingly clinical, really. The MC ruminates on philosophy and how it relates to her work life and lived experiences, intersperse in varying degrees with her torturing test subjects. It's like watching a video that starts out with close ups of someone painting with dense, lurid painting oils, but as the video goes on, the shot pulls out. And you see the full image, that the pigments are fats and tissue blended to a semi fluid, and the canvas is human skin stretched out on a wood frame. Revolting, fascinating, enchanting.

This is splatterpunk only in the subject matter of intense gore. This is literary horror. This is high concept horror. This is feminist horror. This is lesbian / bisexual woman horror. This is all of those marketing gimmicks publishers try to slap onto novels to sell them but for once, in this specific case, it's applicable. I daresay this is vaguely like Hellraiser in that torture is utilized as instruction and transformation. ['And to think... I hesitated'] [Not to mislead, that's where the similarities [in my mind] end].

I read the author's other work, Hexis, and did not click with it. If you experienced something similar, please try this book if the summary and genre appeal to you. There is a purpose behind the gore which isn't the usual vacuous 'gore for the sake of gore [and usually misogynystic violent gore]' splatterpunk.

Frederic S. Durbin
horror
historical
eldritch horror
"The sun beat down hot. I could almost hear its rays ringing on the anvil of the gray earth."

info

themes:   supernatural  
eldritch  
historical
action
type:   novel  
single author  
race/nationality: white american man

Content Warnings
Major: animal death, body horror, child abuse, death, gore, gun violence, murder, slavery
Medium: animal death, antiblack racism, confinement, hate crime, marital rape, poison, rape, rape by deception, slavery, snakes
Minor: anti rromani g slur, murder, rape

Summary

Louis L’Amour meets H.P. Lovecraft in this thrilling western epic about a former Civil War soldier wracked by enigmatic visions.

Set in the 1880s, the story follows Ovid Vesper, a former Union soldier who has been having enigmatic visions after surviving one of the Civil War’s most gruesome battles, the Battle of Antietam. As he travels across the country following those visions, he finds himself in stranger and increasingly more dangerous encounters with other worlds hidden in the spaces of his own mind, not to mention the dangers of the Wild West.

Ovid brings his steady calm and compassion as he helps the people of a broken country, rapidly changing but, like himself, still reeling and wounded from the war. He assists with matters of all sorts, from odd jobs around the house, to guiding children back to their own universe, to hunting down unnatural creatures that stalk the night — all the while seeking his own personal resolution and peace from his visions.

Ovid’s epic journey across the American West with a surprising cast of characters blends elements of the classic Western with historical fantasy in a way like no other.

Review

More a collection of Novellas tied together with a common string. Like the summary says, you have the MC wandering across the country for some such reason and helping people along the way. It's really quite charming, despite it having the backdrop of colonization. There's some romanticism to it, as this is set long after most indigenous genocides, and indigenous characters are few, if at all. We are set in the Wild West.

Very enjoyable consistent quality good variety of adventures, no excessive period typical *isms or *phobias but certain contains such themes and tropes as per the time period and eldritch mythos. Definitely more general eldritch than the stale cosmic tentacle horror of lovecraft.

There was actual Black characters who weren't slaves BTW. OK one was but still, there was a twist to it. Also a good variety of women characters wow. And some are even strong, independent women. And in no way did this feel like an ahistorical forrest gump plot, where the MC was wandering around freeing slaves and suffragette-ing before there was suffragettes and things like that.

The cover blurb mentions Louis L'Amour meets Lovecraft and yeah that's accurate. You do have the racism of Lovecraft. Particularly the anti indigenous incest cannibal tribe bit at the start. I hope that isn't too much of a deterrent. Excellent historically realistic prose. I'm honestly impressed at how charming it was. A well meaning man, trying to do well in the world according to the time period he grew up in. This is definitely in my time 20 books for this year.

Mireille Gagné
scifi
disease horror
ecofascism? in 2025?? really???

info

themes:   supernatural  
occult  
other
type:   novel  
single author  
race/nationality: race

Content Warnings
Major: confinement, dementia, diseases, ecofascism, medical abuse, medical content, paranoia, suicide
Medium: child abuse, domestic violence, sexual content
Minor: family annihilation, mass graves

Summary

A chilling tale about what happens when we mess with nature.

In 1942, a young entomologist, Thomas, is sent to a remote island to work on biological weapons for the Allied military. The scientists live like prisoners while they produce anthrax and look for the perfect virus carrier among the island's many insects.

Sixty years later, in the same region of Quebec, a heat wave unleashes swarms of horseflies while humans fall prey to strange flights of rage. Theodore is living a simple life, working double shifts and drinking to forget, when a horsefly bite stirs him from his apathy. He impulsively kidnaps his grandfather, whose dementia has him living in the past on Grosse Île.

The horseflies, meanwhile, know a few secrets...

Loosely based on historical fact, Horsefly is a terrifying tale about the ways in which we try to dominate nature, and how nature will, inevitably, wreak retribution upon us.

Review

Literary? sci fi? Disease horror? It's certainly horrific. Nevertheless I'd rec this as a historical climate change literary horror diseases horror novella.

The difference between Theodore family and Emeril family is interesting juxtaposition. Both enjoying restrained but one, Emeril, seems closer. Intimate. Or at least emotionally connected instead of cutoff. Same goes for Emeril and Thomas,

Unfortunately a sausage fest. The only women characters that gets screen time is someone who is considered a mother figure, a woman concripted into serving the scientists in a maternal fashion, and someone who has a one night stand. Or maybe that's the point? Maybe the author is making a commentary that it's the patriarchy that takes focus in the world? That woman are excluded from power and influence, and reduced to maternal or sexual figures. I'll give her the benefit of the doubt. I'm no professional reviewer for some such magazine, and it's clear she's trying(?) to say something here. Unfortunately it's dumb as hell. But then again, it would be so very White Woman of this white woman author to place women as a whole as helpless victims of the patriarchy. [Specifically white women, because rarely are Black women or women of color included as victims unless it's to uphold white supremacy.]

[side note as I type this up, I want to add in a fourth woman character, if I may dare. The Virgin Mary statue. No she's not a real person. But she does have impact in the story, imo, just as much as the others. Burying the potential cure or confession to why the flies are suddenly full of Rage and plaguing the world? At her feet, another symbolic gesture? Yeah sure, she's a character.] Though having religion as a cure for Male Rage is.... deep sighs. Ok no I'm too tired to get into this shit.

You see, it falls straight into the ecofascism, 'humans are unnatural and evil and thus need to die because we messed up the environment'. And while that gets 1 out of 3 correct, it both completely misses the point of why humans are destructive, and is an utterly shallow idea of humanity as a whole.

Humans are animals. We're a natural part of the world. We're supposed to be here. Our existence is no more evil or unnatural than a tiger killing a deer or a mosquito transmitting malaria. Yes humans have destroyed the environment. But because of capitalism, not because people, collectively, see pristine lands and thought 'we need to commit arson and animal murder here ASAP'. It's capitalism that drives this destruction. Capitalism needs to be destroyed, not humans. We existed before capitalism and we can exist after capitalism.

And it's a shame that this white canadian author does not interrogate why humans do terrible things. You'd think she would, considering how much thought goes into creating a novel.

The Rage thing, is interesting. So in the book the fly is a basic hunter, driven by instincts to feed. But only when she/it(?) encounters humans [a boy, then the man mc] does it change from simpler instincts to plotting worldwide genocide. Specifically, she feels sexual desires, holds off until the Mc and the second woman character is having a one night stand, and then feeds upon the MC while the humans are in coitus. That's when she's infected with the Rage.

I suppose the fly is a symbol of Nature Herself and by being tainted by a man she is transformed into a wrathful entity? Ok, sure. But what's odd to me is that the MC is a victim as well. There is mentioned he was abused at least once by his grandfather [phsyical, not anything else]. Adding in the family dynamic of emotional distance due to [toxic] masculinity, that makes me believe there is some generational abuse happening here. Which makes sense why the MC would feel rage. He's further isolated in a small town, has very few friends, is clearly on the autism spectrum, and has no social network. He's a victim of both capitalism and family. Yes he has a reason for rage. But if that's all Nature Herself takes away from that situation, I don't think it's Nature Herself acting through the fly.

Yeah yeah the author can say all she wants about that, but frankly Gagne's lack of understanding of capitalism makes me want to throw all her commentary out the window. I don't think it's Nature Herself. I think it's Capitalism. NO HEAR ME OUT. Remember the experiments? Granted they weren't doing genetic manipulation, but if the Rage can be without grounding, so can this. The experiments of being manipulated outside a natural environment caused the flies to gain a supernatural sentience and thus became Something Else. That's why they are acting so unnaturally: they too are affected by capitalism like humanity has been.

I'm choosing to interpret it this way because it's a helluva a lot deeper and realistic that some stupid canadian author doing some stale ecofascism. Well bye.

Stephen Barnard
horror
vampires
its vampires.

info

themes:   supernatural  
vampires  
thriller
type:   novella  
single author  
race/nationality: white british man

Content Warnings
Major: blood, cannibalism, death, domestic abuse, drowning scenarios, gore, lesbophobia, lesbophobic d slur, manipulation, murder, violence, waterboarding
Medium: animal death, child abuse
Minor:

Summary

A group of old friends and their partners gather in a country house for a winter weekend in Scotland. It’s been years since they’ve all been together and spirits are high. One thing they’re all excited about is meeting the newcomer; the long-time singleton in their party has finally brought a man along. Only, he's not what he seems… he's something more than a man. Benjamin is not there to make friends, and between him and his partner, Hayley, they present the group with a terrifying ultimatum. No one is leaving until the conditions are met. Should that happen, half of them will be forever changed, transformed into one of Benjamin’s kind. The other half will be sacrificed: food to fuel the transformation. Snowbound and scared, they’re in the fight of their lives to make it to Monday. NO ONE IS LEAVING: the latest nerve-shredding novel from Stephen Barnard, the author of 21 DARES and REQUESTS FROM THE DEAD.

Review

Good novella. Short novel? My moon reader pro says it was about 222 pages, however that translates to physical books or other ebook readers. Decent pacing, writing, premise. At times the plot was a little superficially forced but I guess I can chalk that up to abusive, manipulative relationships. Very tense modern day thriller, a good variation of a 'and then there was one' type plot. Except you know why people are dying.

If I sound under-enthusiastic it's because I grew up reading SO much vampire books and now I just don't care for them. Hey anyone read Amelia Atwater-Rhodes's series? Yeah me too. Not Twilight though, that was after my interest in vampires. Regardless, it's a good action horror story.

Side note: kinda silly but I'm proud the author a) remembered lesbians exist b) included them beyond a single 'hey these women are in LURVE with each other' scene *marks off sexuality diversity from the check list* and c) it had actual impact on the plot, even if it included lesbophobia. WOW. Good job, Barnard. You are leagues ahead of so many other authors.

Maren Chase
fantasy
historical
lesbian
not terrible, wow

info

themes:   historical  
lesbian romance  
other
type:   novel  
single author  
race/nationality: white american woman

Content Warnings
Major: animal death, confinement, house fires, hunting, Major violence, murder, physical abuse, sexism, starvation, wars
Medium: vomit
Minor:

Summary

After nine years as the people's beloved princess in the sun-soaked Kingdom of Carca, Vita witnesses the execution of her mother by her father's hand. Forced into exile, Vita fades into obscurity with her only friends—the crows that visit her window.

Eleven years later, Vita is given a choice: marry an enemy general, granting him legitimacy to take the throne, or die as the forgotten princess. With time running out, Vita meets Soline, an intriguing lady-in-waiting who introduces her to the powerful-but-unstable magic of alchemy.

If Vita and Soline can learn to control it—and the undeniable spark between them—they could burn the world of men to the ground.

Review

White, but spicy white. European white, so basically cumin. Slightly warm but would never be considered spicy. That's this book.

Ok so maybe I'm being a little unnecessarily mean. It's a good book, honestly. It's well written, fairly original, there's an understanding of tension and being able to treat one's characters badly in order to make a compelling character. Most fantasy [read romantasy, at this point] books make the characters into Mary Sues, so to speak. Nothing wrong with a little power fantasy, but the over saturation of such novels makes it tedious. Rote. By the numbers. Safe. And you don't always want safe. You want something interesting. You want Trouble.

This novel comes form a long line of fairy tale influenced fantasy. It's no saccharine disney knock off, thankfully. Nor is it yet another grimdark, rape happy Game of thrones knock off. No, it leans into a realistic view of historical warfare and political violence, but it doesn't linger. You see the starvation and death, but it doesn't carry on, pointing fingers and ogling like trauma is a zoo exhibit. Which I can appreciate. The fairy tale influence is also subtle. Yes the princess is locked in a tower and she has bird friends. There's no musical numbers and no eternally guileless faith that Things Will Just Turn Out OK. She is naive, of course, being isolated from society. But she has personal growth, thankfully, and that does not last.

The antagonist / love interest was honestly well done. He wasn't a rape happy piece of shit but he was clearly a man raised in a society where Men Did War and Women Did Baby Making. At times it did feel slightly like a tedious cardboard cut out of toxic masculinity. But it was balanced out well enough by other men characters who also had depth, or at least variety to their personality beyond 'Make War, woo! Death and violence!'

The love arc was satisfactory. There are in fact lesbians, even if the word is never used, and there's even a decent conversation around how they existed within the current society and time framework. Thanks for that. Nothing worse than having two lesbians being the only lesbians in an entire story. Feels weird and isolating when that happens. Anyways, yes they do fuck. There's no cop out, and there's no desexed, lustless version of lesbianism. I greatly appreciate that. I get tired of 'sapphic love stories' where all they do is brush hands together. The tension needs to culminate. And frankly us lesbians [and bisexual women] deserve to have a love story where we see ourselves express physical love as well. I hate when authors fall into that stereotypical trap of lesbians not having lust or physical desires just because neither of us have penises. It's a shit stereotype that lesbians simply stop fucking just because they've been in a relationship for X amount of time. Seriously what the fuck is that. Shut up cishet men you don't know shit about us.

The worldbuilding was neat. Was it european? I guess. There might be vaguely mediterranean societies as well. So no diversity for the sake of diversity, thankfully. Listen I love seeing Black characters and characters of color, but it's very cringe and eye rolling when it's forced. Like... If you include a Black character / CoC, please a) give them more than one scene b) do actual research into which country [or american culture] they would be from and c) don't make them the token therapist for the [most likely] white main character(s). MAKE AN EFFORT, BITCH. Anyways, I wasn't keep track too much but the worldbuilding with multiple kingdoms was pretty good.

Anyways. The ending! Helluva ending. Yes I see the real life historical reference and thought it very cool. It was a great way to incorporate that which we saw at the start of the novel. A good conclusion. I enjoyed this book despite it being yet another damn fairy tale fantasy genre about sad women.

wb